If you’re thinking about doing timelapse or if you’ve done one but want to improve, then it’s imperative you watch this video. Timelapse with a DSLR starring Andrea Allen and Philip Bloom.LRTimelapse and click “tutorial” for several great tutorials on LRTimelapse.Color Correction Handbook by Alexis Van Hurkman.Chees圜am – ND filter color cast testing.“Behind The Glass” with Vincent Laforet and Blake Whitman The original ORF-RAW-Files work fine in LRTimelapse Pro 5.6.3, but the DNG-Files don't work at all. I converted my Olympus-TG6-Raw-Files to DNG using DxO Pure RAW. For further learning, please visit the links below. Supports Windows, Mac, JPG and RAW from any Camera. On top of all this, Baurain also reveals some other great resources. Importing into AfterEffects and rendering your composition.The switches in the Camera Raw interface and what they do.How to tweak your image in the Camera Raw interface Learn the basic workflow for time-lapse processing directly from Gunther Wegner, author of the worldwide known software for time-lapse sequences deflickering LRTimelapse.Setting up a file system to ensure compatibility with After Effects NOTE: LRTimelapse supports Lightroom CC Classic, 6, 5 and 4 as well as Adobe Camera Raw, Bridge and After Effects in the corresponding versions.Adjusting your cameras settings to prevent “flicker”.Here’s just some of what you’ll learn in this video: Taking advantage of the Raw format isn’t without peril, but the Red Owl breaks it all down with this Raw workflow. Both contain the exact same data for each photo, but the DNGs are much smaller. I converted a folder of RAW files to DNG. If you are limited in storage space, DNG just might be a good option for you. The very nature of the raw file allows you to tweak the image in such a way that allows you to achieve the look you want without baking that look into the file itself. DNG files are typically about 20 smaller than a RAW file, which means you can store more of them on your computer. If you want to ramp settings, that's a big reason to stick with raw instead of shooting JPEG, where there isn't nearly as much dynamic range to take advantage of. This lets you get the most out of the full dynamic range of raw files, for example during a day-night transition. The larger files not only hold more color information, but the size of these images allows you the ability crop out what you don’t want or pan and scan without compromising quality. As a bonus, a tool like LRTimelapse lets you ramp settings over time. Raw files have much more information that can result in greater quality to your timelapse. Why shoot timelapse using raw instead of jpgs? The Red Owl, Tom Baurain explains it’s for two reasons: quality and control. I let mine go as high as needed! Essential for day to nights and night to days. It’s pretty solid information, I don’t do the same as Tom on everything especially when it comes to shutter speeds. Eric Kessler and I worked with Tom to get this tutorial done and it’s excellent for those looking to up their game and take the next step! I use a mix of RAW and JPEGS dependent on the project. Tom Baurain has done this excellent video tutorial on RAW workflow for timelapses.
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